THE THINGS WE NEVER SAID – 10th anniversary!

Ten years ago next week, my debut novel, The Things We Never Said, was published. To my utter astonishment it instantly became a bestseller, so I’m doing a little blog post to celebrate. I guess I’m celebrating ten years as a published novelist, but I also want to celebrate the book itself. It still sells well on Kindle and in audiobook, and is much-borrowed in libraries, but the paperback is now print on demand,  so it’s more expensive! However, I do get an author discount, so I’ve splashed out and bought some copies to give away on my  Facebook page 

What it’s about

The Things We Never Said, by Susan Elliot Wright

The Things We Never Said

In 1964, Maggie wakes up in an asylum with no idea who she is or why she’s there. Little glimpses of memory tantalise her – a roaring gale,  a sickly baby. Then one night, a word in an overheard conversation on the ward suddenly brings the devastating truth flooding back.

In 2010, Jonathan and his wife are expecting their first baby. His difficult relationship with his own father means he’s already worried he won’t be a good dad,  then a knock on the door from a cold case detective throws his life even further into turmoil. Jonathan’s familial DNA is linked with a decades-old crime

 

‘If you love Maggie O’Farrell, you will love this’  Veronica Henry

The Things We Never Said

Review in The Bookseller

The book seemed to touch the hearts of readers in a way I could only have dreamed of. Being my first novel, it took years of blood, sweat and tears (well, certainly tears!) and what felt like endless writing and rewriting before it was in good enough shape to start approaching agents.

I knew getting published wasn’t easy, so I braced myself for rejections. And they came. Plenty of them. But then came the call from my agent telling me that Simon & Schuster were interested. ‘But don’t open the champagne yet,’ she cautioned. The editor and the fiction team loved it, She told me, but the acquisitions meeting the following day, and nothing was certain until then.

I was working as a chef at the time, catering weddings, and the next day, I don’t know how I didn’t end up putting salt in the meringues and sugar in the potatoes. I checked my phone a hundred times, but by the time I finished my shift at 3pm, I still hadn’t heard. I went home and took the dog for a walk. We’re in the park, he’s just done a massive poo (big dog, big poo) and I’m just bending down, poo bag stretched over my hands thinking, this would be about the worst possible time for my agent to call…

The news I’d been waiting for

Have you ever tried to sound excited but completely professional while tying up a bag of warm dog poo? Anyway, the news was good – a two-book deal – and it was all systems go on the champagne. It was a long time to wait before I was able to hold the book in my hands, but eventually, the months passed, and it was published,

susan elliot wright

It’s a real book! The great unboxing

Book launch for The Things We Never Said

Book launch at Waterstones

 

 

 

 

 

 

Readers loved it, and it got shortlisted and long listed for a few things, including the RNA Contemporary romantic novel of the year (NB I don’t think it’s romantic, though it does have a strong relationship that withstands considerable pressure). I got to speak at libraries and events, and all in all, I had a brilliant time.

Romantic novel of the year Shortlist  4

With other shortlisted authors at RONAs award ceremony 2014

But the absolute best thing of all was the amazing emails I received. ten years on, I still get messages about this book, though these days it’s usually via social media. One that sticks in my mind was from a woman who said the book had reignited her love of reading after a long period where she’d been completely unable to engage with the book. Most of the messages are from women, although I’ve had some lovely comments about this novel from men, too.

The Things We Never Said

In good company on the Waterstones front table!

Since then…

My fifth novel, All You Ever Wanted was published last year, and my fourth, The Flight of Cornelia Blackwood was published ‘to acclaim’. I’m probably a better writer now than I was then, but there seems to have been something about this book that captured the imagination and brought me readers who have since gone on to buy all my novels. Which is why I’ll always have a soft spot for my ‘first baby’, and why I might just open another bottle of champagne on its tenth birthday. If you’d like to read it now,  try your luck in the giveaway by going to my Facebook page  or buy it on Audiobook  or on Kindle 

If you’d like to know more about me and my books, have a look around my website

THE WRITING LIFE – publication week and what it’s really like

The long-awaited (by me, anyway) publication of What She Lost was a week ago, so I thought this might be a good time to reflect on what publication day (and week) actually means for an author.

 

A mother whose memory is ravaged by Alzheimer’s, a daughter desperate to discover the truth, a terrible secret that has haunted them both. Can Eleanor reconnect with her mother before it’s too late?

Continue reading

THE WRITING LIFE – a great big scary decision!

So, major decision since my last post. After weeks of being stuck, hours upon hours upon hours of thinking so hard I thought my brain might explode, and more importantly, in-depth discussions with my agent, I have decided to put aside the novel I was working on (my fourth) and start something completely new. Arghhhhhhh!

I feel the need for a calming image here…

That’s better. Now, a few deep breaths…

Okay, so yes, that’s what I’ve decided. Altogether, I’d written about 70,000 words, 45,000 of which I really liked, although after chatting with my agent, I can see now that I’ve not quite shown my character on paper as she is in my head. That can be fixed. But what can’t be fixed without extensive rewriting and rethinking, is the story – or lack of it – which is why I’ve decided to put this one side, possibly for a couple of years.

Those of you who read this blog regularly will know that What She Lost, my third novel which is out in January, caused me some serious problems and it too, required extensive rewriting – I think I rewrote around 75% to 80%, and it’s now much nearer to the novel I had in my head when I started writing it.

Iris Murdoch said, ‘every book is the wreck of the perfect idea’ and that pretty much sums up my experience lately. It’s so frustrating to have an idea that is close to your heart, to have something to say that you feel is important and not be able to say it in a truthful and engaging way. I’m now pleased with What She Lost, but it did require an enormous amount of work, which I was only able to embark on after my editor and agent read the first draft and we had a long, creative meeting to thrash out some of the difficulties.

This time, my agent has read a sizeable chunk of my draft and confirmed my biggest fear – there wasn’t really enough to keep the reader turning the page. There are other problems too, of course, but I know how to fix those. The bigger issue is that my story just isn’t strong enough at the moment. This is partly to do with the structure, the order in which events occur, but I think I’ve maybe come at the whole thing from the wrong angle.

If I’m honest, what I have is interesting characters and an interesting situation – but that ain’t a story! So I need to do a lot more thinking in order to find a new way of approaching this novel. I’ve created a folder on my desktop into which I’ve put all my existing notes and drafts for that novel, and to which I will add whenever thoughts occur to me. In a couple of years from now, I hope to return to this character I love so much – I’ve called her Eunice Shaw – and create a story around her that I’ll be proud of.

In the meantime, I’m in the very early stages of exploring a new idea. This time, on the advice of my agent, I’m going to attempt to write a detailed synopsis before I start writing. It’s something I’ve tried (and failed) to do before, but now, having had the experience of going so massively wrong with two novels, I’m going to do my level best to find a more efficient approach.

I will, as always, keep you posted on my progress (or otherwise…).

In other news:

  • Both my existing novels, The Things We Never Said, and The Secrets We Left Behind, Are on special e-book promotion for the rest of this month (June 2016). The Things We Never Said is less than a bus fare at 99p, and The Secrets We Left Behind is 1.99 – less than a decent coffee! (Click links to buy) 
  • Workshops: the last in the current series of our How to Write a Novel workshops is on 23rd of July and there are still places available. It’s just £40 for the whole day. This workshop will focus on how to get published – writing a synopsis, approaching agents, etc. We’ll also look at traditional versus self-publishing. These workshops have been so popular that we’ve decided to run the whole programme again starting in September. Full details  here

Also, as I say from time to time, it’s great when a reader takes the trouble to leave a review on Amazon or Goodreads – it helps authors enormously, and it really doesn’t have to be very long. In fact, I’ve just received one of the nicest short reviews I’ve ever had:

This book captured the modern day and the 60s beautifully. It captured everything perfectly. I don’t remember many authors names, I will remember Susan Elliot Wright.


Isn’t that lovely? Thank you, dear reader.

THE WRITING LIFE

Since my last post on 22nd of September, progress on my novel has been painfully slow. I’m a bit stuck again. My character is at a turning point and I thought I knew what would happen next, but there’s a nagging voice telling me, ‘she wouldn’t do that, she’d do this instead’.
If I follow that path (which I sort of know I’m going to) it’ll lead to even more work and planning/plotting. And it may mean more cuts, too. Sometimes it’s difficult to accept that you have to cut work that is perfectly good (“murder your darlings”) and it’s always daunting to know that there is a lot more work to do than you’d thought. But, as I keep telling my students, there are no shortcuts. Well, there are, but if you take them, it’ll show. So I need to resign myself to the fact that I still have a great deal of work to do, despite having thought a few weeks ago that I was ‘nearly there’. Oh such foolish optimism!
A quick look over my writing journal for the last two weeks reveals that I didn’t work at all on the novel for an entire week, although I was writing notes about possible ways forward. I don’t know about you, but when I’ve had a break, I find it terribly difficult to get back into it. It’s true that the last couple of weeks have been busy – I’m teaching again, which involves a lot of preparation, and I also have a few events coming up, so preparing for and publicising these has taken up time, but if I’m completely honest, that’s an excuse!
I find the hardest thing is to actually open up the document – it feels almost as though I’m afraid of it! But once I make myself start looking at the work I find I am gradually drawn back in. I usually go back to the point just before the troublesome bit and start editing/rewriting. That way, I’m drawn back in at just the right place.
So that’s what I did, but I’ve not made much progress – probably a few hundred words a day, if that. But I’ve done a great deal of thinking and making notes about possible ways forward. It’s not nice being stuck, but I don’t feel as horribly stuck as I have done in the past. I know there’s a way through, and it may be that I have to write two different scenarios to see which one can be made to work. Whatever happens, there’s a lot of work to be done here, and sitting around moaning about it isn’t going to help! How do you get back into your WIP after a break?
On a lighter note, one of the things that kept me away from the novel for a couple of days was an event at the Ilkley Fringe Festival. I was sharing the stage with fellow authors (left to right) Bill Allerton, Bryony Doran, Jenny Rodwell, Linda Lee Welch, Angela Robson, Ruth Valentine and Danuta Reah.

We were talking about our diverse experiences of getting into print, and it was fascinating to hear the other authors’ stories of their personal journeys to publication. Having already spent the afternoon at a book signing in WHSmith, we were keen to repair to the pub afterwards for a well-deserved glass of wine. It’s always lovely to socialise with other authors and I came away from the weekend feeling I’d made new friends.
Next morning, we met for breakfast at Betty’s tea shop in Ilkley. Here you can see us holding advance copies of a short story anthology called Watch and Wait, published by Cybermousemedia in support of the Lymphoma Association. 
More about this in the next post, but I’d just like to mention the launch of the anthology, which is happening in Sheffield on 21st of October. Full details are on the news and events page of my website – it would be great if you could come along!
Last bit of news – I’m teaching a one day Creative Writing class in Sheffield on Saturday 11th October.It’ll be inspiring, productive and brilliant fun! Full details on the workshops page of my website

New Amazon reviews:
The Secrets We Left Behind – one 5-star, one 4-Star
The Things We Never Said – two 5-star, two 4-Star

Follow me on Twitter @sewelliot or ‘like’ my Facebook page