MY WRITING WEEK: TWO OF 10

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Last week, I posted the first blog in a series of 10 in which I share my writing process over 10 weeks with anyone who’s interested. Here’s week 2:
Tuesday, 1 July
Tuesday is when I publish this blog, so I spent some time last night and this morning tidying up the first post. I’m making notes as I go along, keeping a record of what I’ve done each day, but I still needed to write the introduction and do some editing. Once I’d published the first in the series, I went off to meet a friend for a coffee shop writing session. A fairly brief one today, because I’m teaching this evening and have students’ work to look at. Most of today’s writing was actually rewriting, but I clocked up another 658 words, even after deleting some. I’ve almost reached the point in the narrative where I need to jump forward in time, which will be tricky. On the plus side, as I was rewriting a scene I wrote ages ago, I realised I’d forgotten what happened next. When I read it, it actually made me gasp! Happy with that!  Word count: 658 

Wednesday, 2 July
Bitty day today – admin stuff in the morning, then an enjoyable half an hour so on Twitter before meeting friends for coffee and cake. Did some editing after lunch but didn’t really get into any new writing because I knew I’d have to stop at 3pm for babysitting. Did manage to do some reading, though. Just started We Are Called To Rise, by Laura McBride. I don’t feel too bad about not writing if I feel I am learning from what I read, although this book is so stunning, it just makes me think, why can’t I write like that? 

Did a bit of background work today, too. This is a great tip: go through your notebooks and copy out those one-line notes or snippets such as: ‘A wears cufflinks’; ‘B has asthma’; ‘C reads A’s letters’ onto a separate card/piece of paper and chuck it in a shoebox. When redrafting, just take each card and when you’ve incorporated what’s on it, you can throw the note away. I found this really helpful with my second novel, especially as, when looking through notebooks a while after my first novel was published, I found loads of things I’d intended to include but had forgotten about.  Today’s word count: 0 


Thursday 3 July
Started with emails, Twitter, Facebook, etc. Read over the last scene I worked on – quite a dramatic one – and now realise I need to rewrite the next scene, too. I don’t usually do much rewriting until the first draft is complete, but in this case, I need to rewrite in order to be able to move on. Made a few cuts, then off to a coffee shop for a writing session with two friends. Fairly happy with the day’s work and could have carried on, but it was our book club tonight, so we closed our laptops and went off to the pub, all agreeing that the promise of a glass of wine at the end of the session was a great incentive. Word count: 1519; Glasses of wine: a few
Friday 4th July
Babysitting from 11am until 12 noon tomorrow. Squeezed out a few words before they arrived, then managed to do a bit of editing  while half watching Peppa Pig (it’s ever so good, you know!) but that just reduced the word count again. Still, at least I’ve done something.  Word count: 230
Saturday 5th July
Not much progress today. I’ve got to that point where I’m writing everything the characters do. Does that happen to you? It’s boring, and if I’m bored, the reader will be bored. I need to jump ahead in time, but I also need to know what happens to the characters during that period, and that’s why I’m stuck on a never-ending road. Stared at the screen for ages, then came to the conclusion that perhaps I should just write the next bit of the story in a boring  ‘tell-y’ sort of way (she did this, then she did that, then three years later, this happened and so on).  Might help me learn what happens to the characters in the ‘off-stage’ sections.  Feel very fed up. This is one of those days when the wine count exceeds the word count. Words: 0; Glasses of wine: 3

Sunday 6th July
Feel really stuck today, even when trying to put into place what I decided yesterday. One of my main characters is 15 now, and she and her mum are at a crisis point. I need to jump ahead about ten years, but I just don’t know what happens in those ten years. Went for a walk to think about it. Maybe I should just skip ahead and write scenes that’ll come later in the novel? Popped into a coffee shop, took out my notebook and began writing a very rough draft of a scene that might come later in the novel. Didn’t get very far with it, so word count for today: 360
Monday 7th July
It’s amazing how keeping a daily writing journal for the purposes of this blog can concentrate the mind. Did some editing this morning, then really got stuck in to a scene that comes ten years later. It’s very rough, and there’s a large chunk of ‘info-dumping’, but it has told me something about what may have happened during those ten years. I’m sure I’ll look at this scene tomorrow and decide it’s all dreadful. So maybe I shouldn’t look at it? Perhaps I’ll just try to move on… Word count 1023

Nice things this week:  
Lovely email about The Secrets We Left Behind from a male reader. The first novel went down well with men, so I’m pleased this one is appealing to male readers, too.
New Amazon reviews this week:
The Secrets We Left Behind: No new ones this week, but some nice Twitter comments.
The Things We Never Said: one 3-star review and two 5-stars – particularly chuffed with this one (posted on Goodreads, too)

Overview:
I didn’t hit my target of 4000 words this week, but wasn’t too far off at 3790. Total word count now: 38, 213 (Didn’t count how many words I deleted, but it would seem to be about 2000. Oh well…)
The coming week:
This is going to be a tough week: babysitting tomorrow (Tuesday), then my mother is visiting Wednesday-Saturday, then we’re staying with friends the Saturday-Sunday. My target this week is very modest – I simply want to make sure I do something on the novel every day. Aiming for maybe 2000 words as well.  Wish me luck!
  
For more about me and my work, visit my website or ‘like’ my Facebook ‘Writer’ page  (and of course, you can follow me on twitter: @sewelliot )

MY WRITING WEEK: ONE OF 10

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For me, writing the first draft of a novel is a difficult, sometimes tortuous process, and I find myself desperate to hear how other writers work. Do they find it as hard as I do? What are the bits they enjoy? How do they manage? I want to hoover up every morsel of advice and information I can find, leap on any little tip that’ll make things easier. I want to know what helps other writers keep their motivation, whether it’s little treats like a bar of chocolate or a glass of wine, or whether it’s a more visual, writing-focused reward, like a graph showing the word count going up.  I want to know what other writers do when they get stuck; do they go for a walk, read a book, visit an art gallery? Cry? Get drunk?

The point of all this is that most writers I know are fascinated by the working processes of other writers. So I thought I’d try a weekly blog about my own working life, with its ups and downs, for an initial period of ten weeks. The summer is a good time for me to write because I don’t have so many teaching commitments, so I have high hopes for the next ten weeks, and it’ll be interesting to see how I’ve progressed by then (or not…)

Where I am now:
I’m working on the first draft of my third novel, which is due to be published in 2015. The part of the story I’m working on at the moment is set in the past, and I’ve written about 35,000 words. I have another 10,000 words of a storyline set in the present day, but that part really isn’t working yet, so I’m discounting those 10,000 words for now.

Here’s an overview of the week up to 30th of June (I’ll write this blog on Mondays to post on Tuesdays)

Tuesday 24th Wrote nothing, here’s the excuse: babysitting 8.30am to 2pm, followed by lunch, then reading students’ work for evening class. Walked the dog (thought about novel while walking) then a quick cuppa before heading off to teach in the evening.

Wednesday 25th Faffed about doing emails and on Twitter all morning. Eventually managed to squeeze out 500 words before babysitting again at 3.30. Finished reading The Slaves of Solitude – brilliant. Love the way he zooms in close to the characters, then comes out again to give an overview. Wonder if I could use this more in my own writing?

Thursday 26th  A ‘bitty’ day. Needed to sort out car insurance and various boring household things. Lots of emails to answer and things to post. Should have started writing first, but wanted to get the boring stuff out of the way. Never works. Started writing, but quickly got stuck. A Twitter pal suggested I go for a walk. This does often work and so I should have taken the advice, but I felt too despondent. Not a good day.

Friday 27th  Woke up feeling determined to make up for rotten day yesterday. Straight to my desk in the morning and wrote 400 words of a new scene. Then did some admin stuff, then more work on the scene. Pleased with what I’d written by lunchtime, so, recalling the habit of one of the characters in The Slaves of Solitude, I poured myself a cheeky little sherry. (I am so suggestible!) Finished that scene and wrote the first line of the next scene. Happy enough with the day’s work – just over 1000 words. Why can’t I do this every day?



Sat 28th  Urban writing retreat http://sheffieldwriter.weebly.com/sheffield-writers-retreats.html Good day – inspiring to be working in the same room as other writers, candles flickering away down the centre of the table, coffee and biscuits arriving at regular intervals. Finished the scene I started on Thursday (just under 2000 words) and did some editing. Treats count bit high today – cheese panini, cake, wine…


Sun 29th I try to take one day a week off to read, chill out, spend time with the Other Half etc, so I didn’t think I’d write anything today, but thought I’d just open up the document and have a look. Ended up writing just over 500 words, so fairly happy with that.

Monday 30th Met a writer friend for lunch, so low expectations, but managed 300 words on the train there. Wrote 250 words on the train back, though this was after half a bottle of wine, so is probably rubbish. Spent most of the evening reading about the rituals of other writers and artists: 

Daily Rituals, by Mason Currey



Nice things this week:  
Two lovely emails, one about The Things We Never Said and one about The Secrets We Left Behind. Love receiving (and replying to) emails from readers – they really make my day!

New Amazon reviews this week:
The Secrets We Left Behind: two 5-star and one 4-star. And one 3-star, which says it was ‘good but full of typos and proofreading errors’! Am wondering if this was only on the Kindle version? (Though I did spot one in the print version – my fault!)
The Things We Never Said: three 5-star reviews with some really lovely comments. And one 3-star with a ‘hmm,’ Oh well…

So, at the end of week one of this blog, my word count for the week is approximately 4500 words. Total word count (though this includes a few notes) 36,594

The coming week:
I have a couple of babysitting commitments again, but have also planned two coffee shop writing sessions with a friend, so no excuse really. See you back here next Tuesday. I hope to have written at least another 4000 words by then. How about you?
For more about me and my work, visit my website or ‘like’ my Facebook page (and of course, you can follow me on twitter: @sewelliot )

Launch of The Secrets We Left Behind

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Well, what a lovely time I had at the launch of The Secrets We Left Behind last week! Although my second novel had already been out for almost two weeks, I was pretty excited about the launch event, which was hosted by Waterstones. My previous blog post is about Publication Day, and as I say in that post, even though it’s a day that feels special in many ways, there’s still a very slight feeling of anti-climax. The novel is out, it’s in the shops, and that’s it, there’s nothing more you can do except go home and wait (and bite your nails and hope!) for it to sell.
But the launch party feels like a bit more of a landmark moment. Lots of your friends turn up, sometimes even bearing gifts, like these gorgeous flowers.  It’s also a great opportunity to dress up. Yes, I bought a new dress for the occasion,  and I wore pink shoes. Pink!! These pink shoes have been seen before, and I’m sure they’ll be seen again – they’re the only ‘nice’ shoes I can get my horrible fat feet into.

It’s lovely to be able to celebrate  properly, to drink some wine with people who are actually buying your book – not only friends, but ‘real’ readers, too! I was thrilled to see so many people that I didn’t know at the event – some came because they’d seen it advertised in Waterstones, and some because they’d enjoyed the first book and had looked on my website. It’s especially nice when readers ask you to sign the book and tell you how much they’re looking forward to reading it. If you’re really lucky, they tell you how much they enjoyed your first book. Then you end up feeling very smiley!

I know some people don’t enjoy speaking in public, but I do. And I absolutely love doing readings and then taking questions from the audience. Hopefully it then becomes more of a conversation rather than simply a Q&A session. At the launch last week, there were loads of fascinating questions, some about the book, but mostly about the writing process, and I could talk about that for hours (and probably did!). There was lots of conversation and lots of laughter, and I had a wonderful time. I absolutely can’t wait to do it all again –  which means I really do need to get on with book three! 





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PUBLICATION DAY AND THE JOYS OF THE SECOND NOVEL

                                                                                                                                                                My second novel, The Secrets We Left Behind was published last week. Hoorah! 

I kicked off publication day with a visit to the dentist (I know how to live the glamorous life, me) then I popped into the local shop for some washing-up liquid and a packet of biscuits. You see, I remember my last Publication Day. There had been a long build-up and I felt a tremendous sense of anticipation, and when the day finally dawned, I suppose I expected some sort of life-changing moment. But the reality of Publication Day for the vast majority of first-time authors is simply that one minute, your book isn’t in the shops, and then the next minute – um, your book isn’t in the shops!

I was pretty naive last time and I’d gone dashing around expecting to see my shiny new novel on lots of shelves. In fact, I only found The Things We Never Said in Tesco, where it was on a special promotion. It soon appeared my local Waterstones, though, and in more and more branches over the next few months, and I’ve been extremely fortunate in that it’s ended up selling very well indeed. But although my first publication day felt very special in some ways – flowers from my publishers, a congratulations card from my agent and lots of lovely messages from fellow authors, it certainly wasn’t what I’d imagined before I was published.

So this time, I was prepared. I would simply enjoy the celebratory nature of the day, eat some cake and maybe have a glass of fizz. And what lovely day it turned out to be! I was overwhelmed by the sheer warmth and number of congratulatory messages from my Twitter and Facebook friends, I received a gorgeous bouquet of flowers from Simon & Schuster, 

and when, despite my best intentions, I couldn’t resist nipping into town to have a nosy around the bookshelves, I’m thrilled to report that I found it in Waterstones, Tesco’s, and WH Smith! So I had another glass of champagne.


During my Read Regional library events, readers have been asking whether the second book was easier to write than the first. I didn’t find it easier, I’m afraid, although I do feel I learned a lot first time round. With the second book, I was much more aware of the process of storytelling; I feel I’ve learned more about how to reveal some things gradually and keep others back in order to increase the tension. I wrote The Secrets We Left Behind in 18 months – much faster than The Things We Never Said. I had a deadline to meet, so I had to make decisions more quickly and stick to them rather than allowing myself the luxury of trying out different things to see if they worked. Overall, I’d say writing the second novel was a different experience, rather than an easier one.

One of the messages I received wished me a ‘Happy Book Birthday’ and talked about my second novel being ‘born’. I suppose writing a novel is a bit like having a baby – you plan it for years but it’s only finally born after a long gestation period and an incredibly difficult and painful period of labour. Then, for some strange reason we forget how hard the whole thing is and we do it all over again!  And I’m reflecting on this now as I struggle with my third novel….

*If you’re in or near to Sheffield on 21st of May, do join me for a glass of wine to celebrate the launch of The Secrets We Left Behind. The event starts at 6.30 at Waterstones, Orchard Square, Sheffield S1

Writing a first draft 2 (and 1!)

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Back in June 2012, I was struggling terribly with the first draft of my second novel. In despair one day, partly as a displacement activity and partly in order to give myself a talking to, I wrote a blog post about writing a first draft (I’ve copied and pasted the original post below, exactly as it appeared at the time.) I had a lot of feedback from this post; it seemed to strike a chord with many writers who said they’d found it helpful and encouraging. Well, now I find myself struggling with a first draft yet again, so I thought I’d return to this post and re-read it to see if it would ‘help and encourage’ me at all – because bloody hell, do I need some help and encouragement!

My third novel currently exists only in scraps and sketches, odd scenes and possible scenarios. There are some chapters, but will they stay? There are two versions of some scenes – one first person, one third person; I’m still not sure what works best. It’s all going on in my head – the characters have taken up residence and are talking to me all the time. The only trouble is, they keep changing – ages, names, occupations; all sorts. I have my themes – I think – and I have an outline of the story, but anyone who’s ever written longer fiction knows that the story changes as you go along, which means more planning, and more doubt creeping in. Can I make this work? Will I ever finish this book?

So I’ve re-read my own blog post and am happy to report that I do feel encouraged, because when I look at the post below, I can see that, back in June 2012, I had been feeling exactly the same way about the first draft of my second novel – and that novel is being published on 8th May 2014.

The Secrets We Left Behind is the indisputable evidence that what seemed utterly impossible to me at that point was possible – I did it, I finished the book and it’s coming out in two weeks’ time!

By the way – the launch is on 21st May at Waterstones, Orchard square, Sheffield at 6:30pm – do come along if you’re in the area!

I see that I’d hoped to finish a first draft by August 2012, but it actually took longer, and although I finished a rough draft just after Christmas, it was early April 2013 before I was ready to show the MS to my agent and my editor. But giving myself a deadline was still a good idea, because it encouraged me to push forward, to keep going, to keep putting the words on the page even though I knew there would be lots of rewriting to do and cuts to make.

I’m considering trying the ‘pebbles in a jar’ approach again (see original post), or maybe I’ll make a graph and stick it on the wall. But whatever happens, re-reading this post has reminded me that what I’m feeling now is normal (for me, anyway, and I think for a lot of other writers) and that I just need to keep going, to keep the faith. I hope this, and/or the original post might offer a glimmer of hope to those of you currently experiencing the agony of the first draft!

29 June 2012

18:50
Hemingway once said, ‘All first drafts are shit’.  Ernest, me old mate,  that is an understatement! I am referring, of course, to  my own current first-draft which at the moment is a steaming pile of merde if ever there was one.  I have to keep reminding myself that there were times when I felt the same about my first novel, but after a great deal of rewriting, I now think it’s rather good, and so do Simon & Schuster, who are publishing it in May 2013.
  
A novel has to start somewhere; it doesn’t just appear in the right order with the storylines perfectly developed, the characters rounded and convincing, the themes consistent, relevant and thought-provoking.   You have to craft and hone and polish.  And most writers agree that most of the crafting and honing and polishing comes later – after you’ve written the first draft.
But it ain’t easy, folks, so although I hope this post will encourage other authors who are currently wading through the mires of their own first drafts, it’s also a bit of a pep talk to myself, because at the moment, I’m going through a very sticky patch. I’m changing things  –  I’ve changed the  period  the novel is set in and the occupation of the main character, I’ve changed the age of a supporting character, and I’ve introduced a new viewpoint. No doubt there will be a lot more changes. I’m also plagued by doubts – is the plot too thin? Will it be believable? Are my characters convincing? Will the whole thing work? Will anybody give a flying feck?
The thing is, I know from past experience and from talking to other writers that it would be unusual not to be thinking like this at this stage. So I’m ploughing on and I hope to have a rough – very rough – first draft completed by mid-August. There! I’ve stated it publicly, so now I’ll have to do it! Some people write a first draft in a few weeks, and I envy them. I take considerably longer. I started working seriously on this idea in December, so if I hit my August deadline, it will have taken me eight to nine months – and at least the same again for rewriting.
 A couple of years ago, I attended a novel masterclass by award winning author Jill Dawson. Jill keeps a journal-type notebook for every novel, in which she records her thoughts about the novel and the writing process – she uses the notebook almost as a silent writing buddy, having ‘conversations ‘ with it about the work as it progresses.  With her most recent novel, she confided, she’d got to the 40,000 word point and had decided it wasn’t working, and what’s more, couldn’t be made to work. At the point of despair and on the verge of giving up, she decided to have a flick through notebooks from previous novels. She found that she had experienced the same excruciating doubts with every novel she’d ever written – including the orange-shortlisted ones – and very often at the 40,000 word point!
So what we need to do is to really get it into out heads that a first draft is little more than a rough sketch, and we fill in the colour and texture later. At this stage, even if you’ve done plenty of planning,  things will change along the way, so to a certain extent, you’re still telling yourself the story. There will be inconsistencies, plot threads that lead nowhere, one-dimensional characters, rubbish dialogue, important scenes that are skimmed over, lengthy scenes that will end up being cut completely. There will probably be superfluous back story,  lots of ‘telling’ and info-dumping, and no real sign of a decent theme. Stephen King tells us not to even think about themes in the first draft, and I think that’s good advice. The real themes may turn out to be different to what you expected, because your unconscious will have been working away on your behalf.
So no matter how dreadful your first draft seems now, just plough on.  Keep moving your story onwards, even if it feels mundane and clumsy, even if it goes off in directions you hadn’t planned. Remember that it isn’t set in stone  – a half-realised scene can be added to later; a digression that doesn’t work can be cut. Just keep putting the words down! Some writers like to check their word counts each day; others prefer to write for a timed period, or to write to a particular point in the story. I’m a word-count person, and I like to have some sort of visual encouragement, something that shows my progress. I reckon my first draft should be about 90,000 words, so I took two jars, and counted out 90 glass pebbles into one of them and stood them on my desk. For every thousand words I write, I move a pebble from the ‘to write’ jar to the ‘written’ jar.  
I’m happy to say that the jar on the right is the ‘written’ jar! It’s a little bit of nonsense, of course, because many of these words will end up being cut, but I find it helps to spur me on.

When you get to the end of a first draft, it’s time to celebrate – even if it’s pretty poor – because now you have something to work on. Rewriting and editing will turn a poor first draft into an okay one, and an okay draft into a good one. From there, you’re talking very good or even excellent. But if you don’t have a draft, you have nothing.
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#mywritingprocess – Blog Tour
I was invited to take part in this fascinating blog tour by the wonderful, multi-talented Rosie Garland 

What am I working on at the moment?

I’m currently working on my third novel, which is a terrible mess at the moment. There are scenes, character sketches, bits of dialogue, scraps of description – nothing really structured or coherent. I used to say that writing a novel is like trying to do a 10,000 piece jigsaw puzzle with no picture to help you, but I’ve decided that a better analogy is that it’s like a giant Rubik’s cube, because everything you do changes everything else. It’s also pretty difficult to concentrate at the moment because my second novel, The Secrets We Left Behind, is coming out in just a few weeks’ time on 8th May so I’m in alternating states of excited anticipation and nervous terror.

How does my work differ from others of that genre?

That’s a tough one to answer. I suppose I’m writing in that rather broad genre known as ‘women’s fiction’, and although it’s true my work is more likely to be read by women, I’ve had quite a few emails from men who’ve enjoyed my first novel.  I always hoped my writing would appeal to men as well as women, and the themes in my work are certainly not restricted to those that would only be of interest to women. My first novel addresses mental illness and ECT, fatherhood as well as motherhood, the nature/nurture debate, family relationships and other things. But then so do other books that come under the so-called ‘women’s fiction’ umbrella. Come to think of it, I’m not sure my work does differ that much from others of its genre! I think it’s a genre that’s rich and varied.

Why do I write what I do?

I’m obsessed with parenthood, nature/nurture and parent-and-child relationships. Having a baby is such a profound, life-changing event that even though I did it over 30 years ago, it still blows my mind to think that I produced two real, completely unique human beings. And of course I’m a daughter as well as a mother so I can look at it from that angle too. I’m fascinated by heredity, by our genetic make-up. My children are like me, yet not like me; like their dad, yet not like their dad. They have the same genes and they grew up in the same environment, so what is it that makes them so different from each other in so many ways? And as for my sister and me – same genes, same environment, and yet we too are very different. I tend to think that nature is extremely powerful, so the genetic (the ‘nature’) side of someone’s character may be able to push through the environmental (‘nurture’) side.  Maybe that’s why I write about weather, too – I’m in awe of the power of nature.

How does your writing process work?

My writing process is actually pretty chaotic. I really need to be more disciplined and I keep promising myself I’ll get organised – tomorrow! I tend to write in fits and starts. First, I decide very, very roughly what happens and to whom. Then I spend a lot of time making notes, often in the form of questions, e.g. “Maybe she could live in Nottingham?” “Maybe he’s a teacher?” “What if she decides not to have children?”  So when I have a clearer idea of the characters, I start to write a few scenes and see where they take me. If it’s going well, I write around 1000-1200 words a day. That usually lasts for a few days and then I grind to a halt because I’ve hit a problem. I find that problems can often be resolved by going for a walk or sleeping on it and allowing the subconscious to get to work. But sometimes it’s just that I’m not sure what’s going to happen next. I always advise my students to just keep writing when this happens, because the very act of writing will often show you the way. Unfortunately, I’m not good at taking my own advice, so sometimes days or weeks go by when I don’t write a thing. I sit at my desk every day, open the document, read what I’ve written, cry a little, then close it and go out. This may happen several times, but I find a way through eventually. For me, the most difficult and painful part of writing a novel is getting that first draft down. I know what the story is about before I start, but I don’t know everything that happens. Once I’ve got to the end of the first draft, I know the characters and I know what happens, so that’s when I go back to the beginning and write the thing properly – that’s the bit I love!

Next week: the blog tour features two more fantastic writers, Penny Hancock and Rebecca Muddiman

Penny is a writer and teacher- her psychological thrillers are based on things she’s afraid might happen to her! She also writes short stories and articles. Penny’s debut novel, Tideline, was a Richard and Judy read in 2012. Her second novel, The Darkening Hour, came out in 2013 and her third is due out later this year. Read more about Penny and her work here 

Rebecca writes crime fiction set in the North East. Her first novel, Stolen, was released in May 2013 and won the Northern Crime Competition in 2012 as well as a Northern Writers’ Award in 2010. Her second book, Gone, will be published by Hodder in January 2015. Read more about Rebecca and her work here

A thrilling first year…

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When The Things We Never Said, was published last year, it was a long-held dream come true, but I prepared myself for the book to have a relatively short ‘shelf life’, because this is what so often happens to debut novels. However I have been extremely fortunate in that readers are continuing to buy it, partly due to good reviews on Amazon and Goodreads, but also, I think, because of the exquisite cover, which I fell in love with the moment I saw it. 
Not long after the novel was published, I learned that it had been selected for the Read Regional Campaign, which was wonderful news. The campaign is now well and truly under way, and I’m thoroughly enjoying my role in it, which is to give readings and talks in various libraries across Yorkshire and the North East. And as if that weren’t enough, good things continue to happen!

I was delighted (and more than a little surprised) to hear recently that the novel has been shortlisted for the Romantic Novel of the Year Award in the ‘contemporary’ category. Other categories are:  Epic Romantic Novel, Historical Romantic Novel, Comedy Romantic Novel, and Young Adult Romantic Novel. The shortlisting was a huge surprise because, while there is a strong love story in the book, it’s not what I would call a romantic story in the traditional sense, although maybe what we define as ‘romantic’ is changing? 
Anyway, I’m thrilled to bits to be shortlisted, and I’m looking forward to the awards ceremony in London later this month – I get to drink some fizz, wear a new dress and chat with the other shortlisted authors.  I‘m up against some fabulous novelists, so I shall make sure I practice my ‘good loser’ face in the mirror.

So, this was all very lovely, and then last week, I discovered that The Things We Never Said has been longlisted for the Waverton Good Read Award. This prize is awarded by the people of Waverton for the best debut novel published in the last 12 months. As you’ll see from the longlist, I’m in stellar company! A shortlist of five will be announced later in March. I would be ecstatic to be on it, but looking at who I’m up against, I won’t be holding my breath! And anyway, there’s more excitement coming soon as publication day for my second novel, The Secrets We Left Behind approaches.


It’s all very exciting, and I’m absolutely loving my first year as a published novelist. I’m just worried that at some point, I’m going to wake up… 

Do we have a right to a happy ending?

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I finished reading a wonderful novel recently. I’m not going to name it because this blog post will be a spoiler in itself. The novel gripped me from the start. The two viewpoint characters were convincing and engaging, and although neither were perfect, I soon began to find one of them more sympathetic than the other. Both voices were strong and the writing was vivid and compelling. In fact, it was one of those books that creeps into your consciousness even when you’re doing other things. I’d find myself looking forward to the moment I could pick the book up again, thinking about the characters and wanting to get back to them to see how they were getting on.
As the novel progressed, the tension increased and the fortunes of the characters swung from ‘okay’ to ‘bad’ to ‘awful’ and back again several times with only the very occasional move towards ‘good’. I turned the pages eagerly, waiting for the heroine to finally achieve her goal (my God, she deserved it by now) and for the other character to get her richly deserved comeuppance.
A few pages before the end, it looked like a terrible catastrophe was about to befall the heroine  and I held my breath. Just in the nick of time, phew! She got out of it. Surely all would be well now? But before very long, this poor character was yet again faced with a horrible, miserable end. I turned the page to see how her last-minute reprieve might come about, only to find the author’s acknowledgements.
I was upset. It shouldn’t have been this way. The ‘goodie’ should have had a happy ending and the ‘baddie’ should have come to grief, surely? 
Well, that’s what I wanted anyway. A friend said recently that she always felt cheated If she didn’t get a happy ending; I’m not sure I felt cheated, but I did feel a little unsatisfied, and this led me to thinking about whether we as readers have the right to demand a happy ending.  It also led to a slightly bigger question: is an author’s first duty to the novel’s readers or to its characters?
As I said at the start, the novel in question was beautifully written, the story was well-told and the characters felt real. And if I’m honest, the author was, I felt, very truthful in her ending. Realistically, what happened in the story is probably what would have happened if those people and their situation had been real.
Was she ever tempted to give us readers the happy ending (or at least, one bearing a glimmer of hope) so many of us crave? In terms of the integrity of her story, I think she took the more courageous route and told us the truth, but despite the fact that I absolutely loved this novel, I still can’t help feeling just slightly disappointed that things didn’t turn out as I’d have liked them to.

What do you think? Should there always be a happy ending? Is an ending with the merest suggestion of hope ok? Or should the author stay true to her story, even if it means readers might not like it?

Another post about writing retreats!

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03 September 2013
19:55
As some of you will know, I’ve been busy moving house and doing lots (and lots and lots) of decorating, so other things have suffered, including my second novel, which is at what I call the ‘serious editing’ stage; that is, after lots of editing as I went along, I finished the first draft, read it through and did a final (ha!) edit before sending it to my agent and editor. I’m now working my way through their insightful comments. They’ve picked up on some things that I sort of knew but was ignoring and other things that I just didn’t see because I’m too close to the manuscript.
So after reading through the novel again and having a really good think, I booked myself a few days away at a retreat where I knew, having been there before, that I’d get a significant amount of work done. Mount Pleasant (still comes up on Google as Mount Pleasant Artists’ Rest Home, but don’t be put off by the name – it’s not a convalescent home!) is a beautiful house in Reigate, Surrey, owned by a charitable trust set up in the 1920s to provide a quiet place for professional creative artists to work or take a break to recharge their batteries. The terms of the trust stated that this should be open only to men but the present-day trustees were anxious to change this, so in 2012 Mount Pleasant began to welcome female guests.
My room at Mount Pleasant

The elegant house has seven large, comfortable bedrooms, and there are views over the grounds to the surrounding Surrey hills. Places are heavily subsidised by the trust, so guests pay only around £35 a night (+VAT) for full board. But the best thing (for me, anyway) is that you don’t have to even think about food. Every meals is prepared for you, served to you, and cleared away after you. And then they bring you lovely coffee! Hell, I didn’t so much as wash a cup! I’ve blogged before about the particular value of writing retreats for women who, even in 2013, still tend to take the lion (ess)’s share of domestic responsibility, so this is a particularly attractive resource for women.
The view from my window

So, if you’re a professional (i.e. published) writer and you’d like to stay at Mount Pleasant, what can you expect, and how does it differ from an Arvon retreat? At Arvon, you’re in the company of 15 other writers, and you’ll do a very small amount of cooking and washing up. The social side is of great importance and most evenings are spent drinking wine and chatting, with the odd informal night of readings. It’s a wonderfully nourishing creative experience, open to published and unpublished writers, and the vast majority of those who attend lament the fact that retreats and courses last a mere five days.
Mount Pleasant may not have the same creative ‘vibe’ for writers – it’s open to painters, composers and architects as well – but as well as the difference in the catering arrangements and the number of people staying (sometimes seven, sometimes none) you can book for anything from two days to three weeks. Also, there’s a television (shock horror!) although guests often do prefer to chat in the evenings, and there’s also internet access for those who want it.
Some people may be put off by the formality of meals, which are taken communally at 9am, 1pm and 7pm. Those of us used to the sort of food on offer at Arvon may find the food at Mount Pleasant a little old-fashioned, but it’s good, fresh food (some of it grown in the grounds), beautifully cooked and attractively presented. There’s a cooked breakfast every morning, a main course and pud for lunch, and a starter and main course for dinner, which is followed by cheese and fruit. You can take your own wine.
Many of the regulars have been staying there for 20, 30 or even 40+ years, and given that it’s only recently opened its doors to women, you’re quite likely to meet at least some elderly male guests. During my first stay, I was the only woman and at least three of my six fellow guests were over 80, but all were still working within the creative arts – still publishing books, still exhibiting paintings. I must confess to being somewhat daunted by the fierce intellect around the table, but I needn’t have been because everyone was extremely welcoming and I found the company both charming and fascinating.
Mount Pleasant still feels a little like an exclusive gentleman’s club, but women are gradually becoming more frequent guests – during my recent stay we even outnumbered the men at one point! And the trustees are keen for this trend to continue. I was also made very welcome by the staff – you are incredibly well looked after at Mount Pleasant. I came away feeling that I’d had a really good rest, but also that I’d achieved significantly more work than I would have done had I been at home.
The website is: http://www.mpartists.co.uk/ For more information or to enquire, email: mp.artists@gmail.com or call: 01737 243233 

For more about me and my work, visit: www.susanelliotwright.co.uk

Does colour make a difference to your creative space?

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So, new house, new study – hurrah! For the last six years, my study has been a box room, approximately eight-foot square. In the new house, I get to have a bigger room, right at the top of the house where I can shut myself away and write my novels.
We’re moving in a couple of weeks, but are lucky enough to have the luxury of being able to decorate before we move in. So, this little cubby hole is at one end of my study, and it’s where my desk is going to go. Thing is, what colour shall I paint it?
Usually, I choose cream or white, but maybe this time I should be a little more adventurous.  Maybe go for red, or purple. Will the colour of my walls have any effect on my creativity, I wonder? I’ve been looking into the issue of colour and how it affects us, and I found some interesting  stuff!
Apparently, there has been significant research on the effects of the colour red, which has been found to enhance sexual attractiveness, but also to cause teachers to give harsher grades, According to research published in 2010 teachers using red ink gave lower marks than those using blue ink. Psychologists suggest a number of possible reasons for this, for example, red may make us more likely to focus on the concept of failure, or, being associated with aggression, it may even increase testosterone levels, making us more assertive and critical. Who’d have thought it?
I didn’t find much in the way of scientific research on the colour purple, but in popular psychology terms, it seems to be associated with creativity. And I do have a purple notebook. But would I want purple on the walls? Not sure. The most interesting thing I discovered was that, according to research carried out in Munich, brief exposure to the colour green is particularly effective in enhancing creativity. In four separate experiments, participants consistently demonstrated higher levels of creativity after being shown a flash of the colour green than those who were shown red or blue. read the article here
So maybe it doesn’t matter what colour I paint my study as long as I have a quick look at something green before I start work. It certainly explains why we might feel more inspired after a brief walk in the park or over a field. Perhaps I should buy a green notebook? Better still, perhaps I should take to a daily gin and tonic with a big wedge of lime in it? I don’t suppose that’s tax-deductible.
Anyway, we’re moving in a couple of weeks, so I need to decide what colour to paint the walls quite soon. What colour is your writing space? Have you painted it an interesting colour, or do you go for neutrals, with flashes of colour here and there to inspire you? I’d love to know what other writers think!
To find out more about me and my work, visit my website